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备注：已完结
类型：喜剧片
主演：多莉·帕顿 克里斯汀·芭伦斯基 特里特·威廉斯 詹妮弗·路易斯 乔什·
导演：黛比·艾伦
语言：英语
年代：未知
简介：观赏这部穿插 14 首 #桃莉·巴顿原创歌曲的 Netflix 佳节音乐片，享受冬青树摇曳的 #2020 圣诞节。 《小镇圣诞爱》描述闪闪发光的天使（桃莉）找上小镇裡的「吝啬鬼」雷吉娜·富勒（克莉丝汀·巴伦斯基饰），引领她展开一趟乐音缭绕的救赎之旅。吝啬的地主会在圣诞夜把富勒镇的居民通通逐出家门，还是圣诞精神终究会融化她的贪婪慾望呢？ 本片由知名编舞家 #黛比·艾伦执导，桃莉的 #圣诞音乐将打动你的心，陪伴每个家庭欢度佳节。这部引人入胜的音乐片由桃莉·巴顿、克莉丝汀·巴伦斯基、崔特·威廉斯、吉妮·梅森、乔许·塞嘉拉、玛莉·莲恩·哈斯凯尔，以及众多才华洋溢的明星主演。你准备好了吗？载歌载舞的季节已然来到！
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备注：已完结
类型：喜剧片
主演：安迪·加西亚 朱丽安娜· 玛格丽丝 史蒂文·斯崔特 艾米莉·莫迪默 埃
导演：雷蒙德·德·费里塔
语言：英语
年代：未知
简介：纽约附近城岛的监狱看守文斯（安迪·加西亚 Andy Garcia 饰）瞒着老婆乔伊斯（朱丽安娜· 玛格丽丝 Julianna Margulies 饰）到城里上表演课，梦想成为一名演员。乔伊斯瞒着文斯抽烟，女儿和儿子也都有自己的大小秘密，一家人各自为政。有一天文斯发现新转来的犯人汤尼（史蒂文·斯崔特 Steven Strait 饰）竟是自己遗弃二十多年的儿子。文斯把汤尼带回了家，向所有人隐瞒了事实，希望能利用假释好好照顾这个儿子，让他重返正途。与此同时，在表演课同学莫莉（艾米莉·莫迪默 Emily Mortimer 饰）的鼓励下，文斯参加了一次重要的电影角色面试，没想到这却引起了乔伊斯的误会，造成了家庭危机大爆发…… 本片获纽约曼哈顿特里贝卡（Tribeca）电影节观众票选奖。
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备注：已完结
类型：喜剧片
主演：杰夫·布里吉斯 Adam Bryant 保罗·隆巴迪 戴维·海德·皮尔
导演：特瑞·吉列姆
语言：英语
年代：未知
简介：杰克（杰夫·布里吉斯 Jeff Bridges 饰）曾是一名电台主持人，一次意外中，他的不当言辞导致了了一个名为埃德温（克里斯蒂安·克莱门松 Christian Clemenson 饰）的男人精神崩溃举枪乱射，酿成了多人伤亡的惨痛后果，心中充满内疚和痛苦的杰克从此陷入了人生的低谷无法自拔。 杰克结识了名为帕里（罗宾·威廉斯 Robin Williams 饰）的流浪汉，令杰克没有想到的是，竟然是自己造成了帕里的疯疯癫癫。原来，帕里曾是一名学富五车的教授，他的妻子正是埃德温枪下的冤魂，帕里无法承受失去妻子的痛苦，发了疯。为了弥补自己的过失，杰克决定帮助帕里。最终，杰克不仅撮合了帕里和女秘书莉迪亚（阿曼达·普拉莫 Amanda Plummer 饰），还成功的令帕里恢复了理智。
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备注：已完结
类型：恐怖片
主演：阿雷胡·苏拉斯 伊莲娜·巴雷斯特罗斯 路易斯·奥马 桑提·米兰 费德里
语言：其它
年代：未知
简介：伽罗华（阿雷胡·苏拉斯 Alejo Sauras 饰）、奥莉薇娅（伊莲娜·巴雷斯特罗斯 Elena Ballesteros 饰）、帕斯卡（桑提·米兰 Santi Millán 饰）和希尔伯特（路易斯·霍马 Lluís Homar 饰）分别是各自学术行业里的佼佼者，某一日，一封神秘的邀请函和一道诡异的谜题将四人聚集到了同一个房间之中。 然而，被困住的四人很快就发现，他们陷入了某人精心设计的“游戏”之中，如果不能正确回答一道又一道的谜题，他们终将被不断逼近的墙壁压成肉泥。在紧张的解题过程中，四人还必须相互试探彼此的真实身份以及找到其中的关联，紧张的氛围之中，高智商的四人组最终能够逃出生天吗？之后等待着他们的又会是什么呢？
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备注：已完结
类型：恐怖片
主演：Rosanna Schiaffino Chris Avram Eva
语言：其它
年代：未知
简介：Patrick Davenant invites a group of friends to visit a theater inside his villa, a place which later reveals itself as sinister. Within a short time, the guests realize that they are trapped in the villa. A merciless killer then begins to murder them one by one.
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备注：已完结
类型：恐怖片
主演：Paul Naschy Julia Saly Lola Gaos
语言：其它
年代：未知
简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
