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类型：喜剧片
主演：迈克尔·J·福克斯 翠尼·阿瓦拉多 彼得·道博森 约翰·阿斯廷 杰弗瑞
导演：彼得·杰克逊
语言：英语
年代：未知
简介：一场严重的车祸夺去黛布拉（Angela Bloomfield 饰）的生命，而身负重伤的建筑师弗兰克（Michael J. Fox 饰）也在车祸后获得可与幽灵交流的能力。出院之后，弗兰克辞去工作，以通灵者的身份向镇上居民提供驱魂的服务。 某天，弗兰克所在的小镇接连发生神秘死亡事件，之后他更目睹了一个幽灵杀人的场面。与此同时，警方介入调查，弗兰克则因经常出现在死亡现场而成为重要嫌疑犯。他必须尽快为自己洗脱罪名，找出幽灵杀人背后的秘密…… 本片荣获1996年Sitges – Catalonian国际电影节最佳特效奖。
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类型：动作片
主演：rmand Assante 彼得·奥图尔 迈克尔·马德森 Kanat
语言：英语
年代：未知
简介：Only one lusted glance brings Aliya to the events throwing her into the criminal ocean. But in the wirliging of passions and turmoil when she finds herself at the verge of fatality it's only her true love that is the only rescue.Now the most important thing for Aliya is to preserve the honor and dignity and the whole world will be at our feet.
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类型：恐怖片
主演：申伊 Hwang Seon-hwan Kim Han-gyoo Kim
语言：韩语
年代：未知
简介：A strange man comes into a house with only the wife. He says he'll leave after a shower and a meal, but his actions are exactly like the husband's. What has happened? He says that he learned everything from a friend he knows... A woman who is taking rice cakes around is held hostage with the wife. The man gets drunk and reveals the truth about her husband. The wife feels more s...
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类型：剧情片
主演：Heinrich Hargesheimer Carlheinz Har
语言：其它
年代：未知
简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
