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类型：剧情片
主演：潘妮拉·奥古斯特 彼得·哈贝尔 安德斯·莫索林 马林·莱瓦诺 Stel
导演：图娃·诺沃妮
语言：其它
年代：未知
简介：Britt-Marie, a woman in her sixties, decides to leave her husband and start anew. Having been housewife for most of her life and and living in small backwater town of Borg, there isn’t many jobs available and soon she finds herself fending a youth football team.
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类型：喜剧片
主演：大卫·克朗姆霍茨 雷·怀斯 玛丽亚·泰耶尔 迈克尔·卡西迪 Syd W
导演：凯尔·兰金
语言：英语
年代：未知
简介：After a girls' night out, endearingly awkward Deb wakes up in the apartment of the most attractive guy in Portland, Maine. She's thrilled, but she can't remember much of what got her there. Pretty boy Ryan only knows it was a mistake and ushers her out the door... into a full-scale zombie apocalypse. Now, a walk of shame becomes a fight for survival as the mismatched pair discovers that the only thing scarier than trusting someone with your life... is trusting them with your heart.
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类型：剧情片
主演：Heinrich Hargesheimer Carlheinz Har
语言：其它
年代：未知
简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
